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'Time' well spent
Animated film about girl who manipulates time visually,
aurally appealing
By Alvina Yeh, staff writer
Oct. 17, 2007
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The
Girl Who Leapt Through Time
Dir. Mamoru Hosoda
Not rated
Time: 98 minutes
Language: Japanese
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“The Girl Who Leapt Through Time” starts
as a typical coming-of-age high school story.
That is, until 17-year-old Makoto Konno, discovers the
ability to leap backward through time.
She delights in her newfound power – using it to
reclaim the pudding her little sister ate the day before,
extending her karaoke session, and finding out the answers
to pop quizzes. She soon realizes that her simple changes
to time have a much larger effect than she had originally
imagined.
The movie reinforces the beauty in the ordinary. Director
Mamoru Hosoda pays attention to detail, rewarding those
who watch with a close eye. Simple scenes such as young
school boys skipping stones in a river to a team of joggers
with one trailing behind set the tone of the movie. The
audio track also shows great attention to detail. From
croaking cicadas, to snippets of schoolyard conversations,
each audio effect has been carefully arranged to create
a sense of simpler days. The soundtrack features sweet
melodies and emotional instrumentals to help carry the
plot.
The characters are set in that confusing period in-between
innocence and adulthood. Makoto’s acts of time-traveling
self-indulgence are purely out of innocent desires to
make it to school on time, eat her favorite dinner again
and finally hit a pitch in baseball. She and her friends
are portrayed with such humanism and humor, it’s
hard not to recognize their traits in my own friends.
The movie incorporates several different styles of animation
which has been chaotic in other films. Surprisingly, the
art directors were able to combine picturesque backgrounds,
3-D graphics, overly simple character designs, and real-life
drawings without assaulting my eyes. Initially the character
animation may seem crudely out of place in such lush settings.
But as the movie continues, the starkly different styles
of animation help to achieve a sci-fi impression without
being unrealistic.
As in many sci-fi movies, reason and logic are placed
to the side. Wondering how their version of time travel
works and why Makoto did or didn’t use her power
at certain points only ruins the effect of the movie.
It’s best not to question in order to fully enjoy
the cinematic experience. The hard part is trying not
to analyze it afterward and just accepting it for what
it is (a beautiful movie) and isn’t (a logical portrayal
of time travel).
Despite minor logical fallacies, the movie is beautiful
– both aurally and visually. The plot has many opportunities
to drag, but didn’t because of the music and little
details going on in each scene. The characters are lovable
and the story was funny and poignant.
As one saying in the movie goes, “Time waits for
no one.” So don’t wait – go out and
watch it while I go find the novel that precedes the movie.
Alvina Yeh is a staff reporter for
AsiaXpress.com. Alvina can be reached at Alvina.Yeh@asiaxpress.com.
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