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Virtuosos bring Japanese sounds
LOVELAND – Five of the world’s top shakuhachi players performed together in a rare concert setting June 23 in The Dome auditorium of Sunrise Ranch as part of the ninth Shakuhachi Camp of the Rockies. This years’ international master lineup included Kaoru Kakizakai, Yoshio Kurahashi, Christopher Yohmei Blasdel, all from Japan; Riley Lee, from Australia; and Boulder native David Wheeler. “I’ve just realized that I’m standing on the beach and getting my toes wet with the waves,” laughed Gary Dempsey, a shakuhachi student who came all the way from Camarillo, Calif. “And here they are these valiant gods of primeval oceans of shakuhachi.” Virtuosos and students throughout the world gathered to celebrate the shakuhachi, a traditional Japanese bamboo flute, in a weekend-long summer camp. Some students hailed from as far as Hawaii to study directly under leading shakuhachi maestros. “In America there’s developed a spiritual yearning that is associated with the instrument,” said David Sawyer, an organizer of the annual camp and Masters concert. “I think people find out about (shakuhachi) because they hear the instrument in a context that you might call ‘spiritually inclined,’ for instance in a zen monastary somewhere.” Sawyer said that rival
schools of shakuhachi rarely collaborate in mainland Japan. The shakuhachi maestros performed mostly classical Japanese numbers on Saturday, except for a newly commissioned piece called “Flame Fox.”
Concert patron Elaine
Mitchell, from Boulder, particularly enjoyed a performance of “I was amazed at the versatility of the shakuhachi, the artistry,” Mitchell said. “Being a vocalist, I certainly liked the mixture of the song with the voice and the shamisen.” There were around 31 participants in the camp this year, Sawyer said. Students filled seats closest to the concert stage before other aficionados arrived and scattered throughout the small auditorium. Many closed their eyes during the show in homage to the shakuhachi’s meditative roots in Japanese zen monasteries. The shakuhachi produces a deep, gusty howl with rich variations in tone. Players literaly drive a song along by the inteisity of their breathing and body motions. Shakuhachi master Kakizakai's face tensed up as he blew puffy, heaving notes through his flute in a performance of "San-an" ("Pro-Creative Serenity"), a prayer song for safe childbirth. “It just surprised me how much movement, how much body movement, the performance had. It showed a lot of intensity, a lot of activity that you don't necessarily expect to hear disconnected from visualizing the performance.” said John Newton, a Northglenn resident who came exclusively for the masters concert with his friends. “All I’ve ever heard of shakuhachi was from recordings.” For more information about shakuhachi, the masters or the “Shakuhachi Camp of the Rockies,” visit http://www.shakucamp.com. Ashton Do is a staff writer for AsiaXpress.com. Ashton can be contacted via e-mail at Ashton.Do@asiaxpress.com. |
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